October 3, 1985 CIMN: P. 15.1. 1: BEST A LTERNA TI VE Welcome back to another edition of the CIMN Information Record. This record tells you what‘s going on in the world of envy idiots making noise. If you were wondering how to get involved at the radio sta- tion. or are just interested in seeing the place. please don’t hesitat to come up and see us. We are located on the third floor of the Student Union Building (The Barn) and can always use interested and new members. Here are some ofthe programs that our listeners can tune in for this week: The Totally lncredably Deleerius Shew, with Shane The CIMN Top Twenty-Five Count- Down. WM Stu The CIMN Top Twenty-Five Count- Down (Again) Sunday Night Classical, What an Awesome Person Stu MacWilliams Is! The Show of Shows, it's Gary Robichaud Thursday Night Oct. 3. . 8pm-l0pm l0pm-l2pm Friday Morning l0am- l Znoon Oct. 4. , Sunday Night épm'gpm Oct. 6. l0pm-lam Reggae Sunset, with Rachel Fitzpatrick (Live) From Fathers Lounge at the Kirkwood . —ClMN, this week i Bill Harwood will be down at Fathers with give—aways and taking your requests— A party at Fathers with CIMN Rock Classics. with Chris Larsen Tuesday Night 6 _ Oct. 8. pm 8pm 9pm-12midnight a \‘t'ediicsday Night l0pm-lam ()ct.‘). There‘s always something new and exciting'on your best alternative. You can get involved; if you’re listening. you are already involved. lfyou‘re not. try it; you may find you like it. And if you really want to be into CIMN —join us. It’s easy. Entertainment There will be a meeting CIMN ThUI'sday 6:00 pm. Beginning Oct. 3 “THIS WEEK’S , TOP 7 A TWENTY-FIVE (4) 1. Dire Straits 2. Hooters (6) 3. Howard Jones 4. Eurythmics (5) 5. Corey Hart (l0) 6. Rational Youth 7. Talking Heads (3) 8. Haywire (l l) 9. A-Ha (2]) l0. Aretha Franklin (M) l l. Gowan l2. Depeche Mode (2) l3. Bryan Adams l4. Kid Creole and the Coconuts l5. Dead or Alive l6. Images in Vogue (8) l7. ‘ Bowie/Jagger l8. Tones on Tail ' l9. Payolas (25) 20. New Order (22) 2|. Vicious Pink (l8) 22. OMD 23. Doug Cameron 24. Devo ‘ (I9) 25. Go Four3 Money for Nothing All You Zombies Life in One Day There Must be an Angel Never Surrender _ No More and No Less Road to Nowhere Out of my Head Take on Me Freeway of Love Strange Animal Master and Servant Adamix Endicott I 7 Lover Come Back to Me Just Like You Dancing in the Street Go! You’re the Only One Perfect Kiss Cant You See So In Love Mona with the Children Shout Just Another Day “ALBUMS OF THE DAYS” Mon. Sept. 30 Tues. Oct. 1 Hooters Wed. Oct. 2 REM Thurs. Oct. 3 Del—Lords Fri. Oct. 4 Eurythmics The Three O’Clock Arrive Without Travelling Nervous Night Fables of the Reconstruction Frontier Days Be YourselfTonight Movie Reviews l-le's no'better at love when it I . ' . . . _ ' . comes to perky blond Pamela though he always seems to overlook cute Boof. his childhood sweetheart who can’t take her eyes off him. But one day things really start bothering the teen. Long swatches of hair start shewing up on his chest. Hairy palms. long fingernails. and a surprisingly ferocious growl bother him as he makes his way through what started out to be a normal day at school. He'svery confused by TEEN WOLF An Atlantic Release . Directed by Rod Daniel Written by Joseph Loeb III M atthesw Weisman (‘astr Michael J. Fox James Hampton Scott Paulin Hot on the final reel of “Back to the Future", TV star Michael J..Foxh.hits the Silver screen a atn t is summer in “Teenwofi”. High school stu- dent and basketball player Scott is frustrated like many teenage boys his age. He’s not a great ballplayer but then again, neither are any of the other players on the Beaver High Basketball Team. all the changes taking place with his body until a complete transformation hits him on the night ofa full moon. He’s a teen werewolf and can’t face his father or anyone else for that matter with the disturbing news. His father forces a con- frontation at home where Scott notices that his father is also a werewolf. Though dad tries to convince his hairy son that this genetic error can be conquered and eventually be dealt With on a day-to-day and full moon-to- moon basis. Scott can‘t handle ' . I i ' . . . this situation. Class clown and friend Stiles is the first to find out the truth and decides to commercialize the transforma— tion. Boof s upset when Pamela begins to finally show Scott some attention. A session in the make up room behind the school stage gives Scott reason to believe that his wolf antics can win him anythin and everything he wants. Bu soon iend becopie distant enem es. .ameIa re uses to_ be is girlfriend. And his felloyv basketball layers .won t celebrate With an as their team climbs to the top of the high school standings. Michael J. Fox. offers yet another fine per- formance for summer movie fans. TV schedule to begin. °|985 HOLLYWOOD HOTLINE (tm) PEE-WEE’S BIG ADVENTURE Warner Bros. Directed by Tim Burton Produced by Robert Shapiro Richard Abramson Written by Phil Hartman Paul Reubens I Michael Varhol Cast: Pee-Wee Herman Elizabeth Daily Mark Holton Diane Salinger Judd Omen To understand this film. it is necessary to explain who Pee- Wee Herman is. He is a com- edian who is putting on a Jer- ry Lewis “silly boy“ per-. sonality throughout his TV. stage and film performances. -The only difference is that he never goes out of character.- Whether he is being inter- viewed on a talk show or for a magaine. he puts on the routine complete with silly voice. numerous hand gestures and a range of childlike expressions. The act has worked. because a whole new generation of kids are go- ing crazy over this wacky Page 6 “M‘Poefics u So long set aside to say so little. 08/29/85 So little time to remember so much, I wish we could relive each gentle touch, Every warming tender playful fondle. And now on a station platform I stand, Across from an old churchyard filled with yews: There's nothing more to say, nothing to do, Except fight back the tears and clinch your hand. I look deeply into your swelling eyes As the mist outside changes into rain, So long, farewell. until we meet again..... We stood there, we kissed; then broke‘down and cried. Essence 09]24/85 Wherein lies the essence of our being, Are we but victims. slaves to aesthetics, Conceptions stained by what we are seeing, Although we sometimes think it’s prophetic. Battling the elements that dwell within. Faculties torn in opposite motion, Will it ever end. .where did it‘begin, Is this the key to all our emotions? ~ And deep in our reflective moodsvof thought ‘ We weigh the rational and passionate, . Trying to apply what zwethave-been taught“ _ To be good. noble. yet compassionate. _‘ ‘ So we continue: to reasonatqloageglg; > As will those who are destined to follow;7; ~ It will then be their task to finally prove Who rules: Dionysius, or Apollo? Nightmare Robert Bodrog-Goodland Through fields grown over with the weeds of dreams ’ Life’s purple ox pulls the plow of Despair. Yet Hope’s bright harvest still will fill the seams, denying Death’s dry rain a fieldsans wear. No time for Sleep since we all know, you know, the harvest time is coming near to us. Sleep not my friend, my enemy, my woe, _ my hope, my everthing, for I said thus. And yet winds of Confoundedness are stir— ring in my brain: It is a time to think! To think~to think- to think! I hear gears whirring all the same: They’re from the kitchen sink! _ And then I wake from my sweet dream so bleak to chase away Life’s purple ox so weak. \ opportunity to introduce them to the incredible works of Jer- ry Lewis which are available on videocassette. They may be quite surprised to find out that Pee-Wee‘s act was not original. > We learn that Pee-Wee lives by himself in a house that is filled with nostalgiaa contraptions and inventions. His frontyard looks like... Santa‘s Village. Pee-We‘e‘ reveals .his most valuable possessron—a candy-red colored bicycle containin numerous gimmicks an frills. The neighborhood bully Wee‘s bicycle and the two of them get into a shouting match which sounds like two little kids arguing. This sets the tone for the film as to Pee-. Wee's character. He is a young adult with the mind, outlook andspeech ofa child. And those around him have. accepted it. The worst is ‘ust around the corner as ce- Wee‘s bicycle.is stolen despite his zealous methods of security. A palm reader tells Pee-Wee that his bic cle is in the basement of the lamo in Texas. Poor Pee-Wee believes the woman and sets out on his, © 1985 Jim Ltd and Tony Lai mission to recover the bike. He travels on freight trains, as a hitchhiker- or any other mode of transportation which will get him to his destination. Meeting an odd assortment of people along the way and get- ting himself in-and-out of trouble situations, he finally reaches the Alamo. But his bicycle isn‘t there and his .very said. That is, until_ he dis- covers that his bicycle is being used On a movie'set. His next 'voal is a ‘Holl wood studio. ncc again. ans of Jerry Lewts films Will be very aware ‘that gimmicks and gags used comes around and spots Pee-" in his“ movies are employed here. This includes a wacky chase through the studio while different productions are be- ing filmed». and _‘ borrowing again ‘from :Mr. Lewis—a : situation‘ where Pee-Wee the loser. finds himselfa hero as a movie, starLThe'film is very - funny’and,,glhe, family can at- tend , together. If Pee-Wee’s next film has him playing a nutty professor, you‘ll‘know w . Raile’d PG . COPYRIGHT °l985 by HOLLYWOOD HOTLINE i (tm) ’ ‘ THE NETTED GEM_ i