, Colors, fabrics highlighted

are three in ice

There ences that highlight

note in a smoked - over murky look palette. These influénced by

play of madras fabrics. batiks and the many charred effects of deep-tone 0“there are richly textured fab- men‘s wear fabrics borrowed

herringbone weaves. stripes and paisley effects

for milady!

Second - is fashion’s fascin- Many fabric s both ot'ler fab~

ation with furl this fall simulate fur in colors and texture:

a and key- no color 5 t o r y for fall...

First. fashion takes on a hazy

of BIG

Th i I is one case. howeverJ when a dual personality is a de- l cided advantage. Fashion it ' self looks two ways —— toward ‘ the softer. more feminine look and toward the tailored. some- ‘off perfectly with both these. looks. i In the I oft.

gentle mood. "

‘rics — nubby wools. bubbly l ‘moh a i r s. surface - intere st

itweeds. This is texture with a i

ldifferent. lighter look very (much in keeping with the fash- lions it enhances. Curls. loops

“cs ha"? fur "tuagy. WSW,“ and hubs are delicatley spun into them... many fa rlcs ate l and woven to melt in the fab

been specifically designed

blend with furs and others have been created to give a dramatic ‘

contrast.

And in the midst of all the color. is the dra-

"ashes" o matic break through of colors. Last. blit not least.

the opulence of color expressed

in lavish tones

Here the color is bright and

Brilliant c'em - inspir-

ed reds. blues and greens gl

luster and sparkle to the fashion 9

4 (I

ric. B lk has vanished. in favor of a lightweight and sup- ple ai .

i Brushed. Iculptu red and high-rising surfaces highlight. the look. made in acrylics. poty- ‘ esters. cottons, rayons. nylons

the fabrics have an all - over crepe look. but i many feature brightly colored? bold pattern with an embossed

0 2 I‘D 0

We find twills in infinite

elegant. surfaces to crisp silks.

Supple and successful for fall are such fabrics as crepes and lightweight wools. And supr ple. too. are knits that in t h e m-

' selves display a whole new per- the grandstandlwhat sport look. Fabrics pa.r sonalitv.

Knits are artfully textured to look crocheted. They‘re

ed and tucked; they're open

SEPTEMBER 28

Paris collection for show at YMCA

Fifty models from twenty-one Parisian Haute-Couture stood

and blends 0‘ these World?!" ‘out at the recent fall opening|.[ ‘bers' some 0 All fifty creations have two‘

things in common. First. they are fashioned of fabrics contain- ing Arne]. Secondly. each model embodies all that Paris is fam-

ruffl-

and loopy — fisherman types. for examp e.

Much of the news in fall fab-l rics centers around stretch! The widest use of stretch fab-I rics continues to be. in sports-f wear. with lingerie moving up; lstrongly in the use of stretch crepes. laces and tricots. New idevelopments find stretch ap-

pearing more frequently in suits and dresses. too. stretch wools are particularly exciting.

New textured cottons take on the look of brushed leather or suede. vying with the real thing — leather itself— for fas- hion attention.

softer now

With so many lipsticks clam-

ring for your attention. how do you choose? Which shades for you? How to get the most com- pelling effect?

The day is long-gone when I woman could get by with just one lipstick. or depend on hap- hazard selection. The smart wo- man has a well-thought-out war- drobe of lipsticks. planned or this season. this season's fash- ions. the whole look of now.

The one is gentle: softer lines are seen everywhere. and so. more natural cosmetics. The look in lips will be gentle. too. shapes are ladylike. with colors in the same vein.

Your collection should in- clude: pale-but-notdragilc pas- tel pink. several subtle tones of peach. apricot. melon. plus per- haps a honey shade.

From here, go on to combin- ing colors. bl ‘ than your own alchemy. your “witch- craft" to make yourself capti- vating.

Combine colors with white. pale lilac. blush or nude. for infinite variety of tones. d try the lipstick that offers its

combo — swirling several

'psiick look is

’5?

own shades in the one tube. to

The Fall '64 look that is lmclut tered. poised. lady-like There is a look of completeness pre- vailing: emphasis is on ensem- bles — coats, suits and dresses of mining fabrics that crccze hat-mow in color and texture There are as many subtle vari- ations i.‘ this theme as there are design-its and fashion leaders.

Designers team silky blouses withrnoinir suits lined with the

fabric: two-piece dresses rintdi wool reverse to show fur. Chanel, of Paris.

Storybook style for little girls

of other eras can be seen in the velveta, laces and suedes smart girls be wearing. If! all

at fun and mimics Mama's fashions which are also femin-

m Ihlon now in

‘Uncluttered’ is term for' 1964 fall fashion

outlines her popular cardiganx jacket with braiding. even more important now than ever. S jewelry on the dress. [mg sle. leads the eye to the domed dia- eves focus attention on the jew. strewn cutting eled finger: a bold clrclet en- sleeves with Jeweled buttons. crusted with coral contrasted a gold link-chasm: digs: with diamonds and turquoise. gen y as nec face I -ns; - pins define real pockets which 11183:,” 21131;: 5:“ avg! mm Chanel designs for functional white on black _ wrapped” wig; Purw'e" a sash at the waist. One or two leweled clip- k e sash. Low blousons. reminiscent of the Thirties. hold I pin-accent at the border above I pleate “living” skirt. ' Longdorso dresses with para tial back-belts and dress-up necklines s‘iow a trend to smo- other_labrlcs. Roll-away turtle- oldm bar necks yield to a cil‘assic pin frost- . - ' ed wit lemon and cream PM Will! liar-Set bl'lliilneisa fa- pearls: widf cowl necklines ca: so u ant. cape-mm 'hape up in bulky {Ike drawn cosor to form a rub tweeds and handsome townsuits are lean with wristJong jackets. Restaurant wools. a new var- iety of (finder-dress. are of soft woo crepe waistlines al-

eight buttons evenly spaced d the front eliminate the need of:

Entering the suit scene are "swinging" skirts. some with unconfined jackets. some with decorous. conservative jackets. some pared at the waist with a satin bow nestled at the center neck closing: side-buttoned jac- kets are belted lightly at hip- hne; peplum Jackets rise to feet tall for

e. Evening suits. the newest way to dress after dark. are of rib- bed wool or wool crepe a all in black. Paris shows a blazing platinum-diamond pin worn high at the center neckline

Then move to

varieties. gabardine. whipcol‘d ous for-creative design which 1 I - ow for an i S‘ive m t add a luminous glow. Colorless k m. dmmice; {he up

is 1 inc and pretty. The

Focusing into fashion Edwardian sailor collar of a white moire blouse teamed

“5. mm of men Some are cavalry. c o v ert.’ shetl a _n d . finds its inspiration in fabrics. light and bricht. bringing a .se’ge' 5‘1"“ lonkmg esper'ali-V‘ “95,9 mOdEIS' “WI” as the 310m" 51]“ “I” ' Wimce' a are in black and cream- mono to shows its bias cut with with an evening suit. The dinner delightfully spring- like touch {mP‘Prtani' “Feds 3” “0'” icanad'?" “Pianese Pam mum“ Fromm 1i” Win find “net caged velveteens. French cut- pins in p p on the costume of. own velvet is

“‘3 m bngh‘ "mum!" “‘1an ‘" “"‘"9“““" w" be Show" 1" Chm" in medicated “Panel” °f "mm" velvet jumpers reminiscent of shoulders. Plunging “V” necks easy and elegant. It comes in

into the fa ll scene. W 0 od sy kinds- And We“ “9' of “‘1'” peasant dress are charming with in straight and narrow evening ree parts: a column-slim skirt

’3

both thin and thick yarns used glottetown September as part

greens m ak e a colorful con- trast. In the array from char- togethel“ ‘0‘ a crosscanda Showmg' hypoallergenic “Pulah “1” white pique ruffled-bib blouses. wools call for long-line jewelrv- upped with a shell blouse and treuse to peacock to olive. “1:153:32”; “1x213: “Dawnxwgegaegzué? 3:”:th Fall offered in more inlashion A touch of the princess in her a matinee-l or a fitted, longoleeved Jacket. The 315;??? :1 32:12:30 please every tattersaus shepherd; - Enable: twill be held in the'ch ham colors. fairy castle is seen in the tiered alnglle diamond drop pendant on classic long black wool dinner Ti'tiP blues ‘3'... stronalv in stooths. glen and country plaids 1‘1"“ "’0'" “d “’i" feature ‘ :veali‘hetltfnegs.bo‘difd‘in at:an mud. .g‘lie‘cgitiecifh:d:l-dms is recise :Etevatfiligetci‘ttsihzigilrd'g” th n' t -_ b t en ‘ ‘ are ‘abound in beautiful variety. live" as the imported Paris crea- - . a . p .. wt .1 a e ic ure u . so . The lacy look of the Victor- and narrow-amuldetred. Six or cognac satin sash. fans is back in under pretties.

bankers jiinns- “mg; The accompanying picture ‘ icoat by Simonetta. with black

; selection of Canadan

Stripes from neat stripes to flam-buoyant ler's stripes borrowed from a

many of bllie's kissing cousins. such as cerise. magenta. fuch- si" rlink. blue spruce and Wine

ABE COMPLEX

Bouffants. petti-pants. blouse— slips and sleep-wear show frost- ‘

The split personabty of cul- logs of eosyeare lace.

bnme' d b medieval] tale" here shows a white chesteli'field Tl‘e winey hues fin ur- There s much printing on‘ bec me even more The big silk hair-bow is worn gently and many other "vint- texture. traditio it al folllard. ‘Velvef 0°11“ and bum“ “at; mgui‘fsexciti’ng and complex: trashionablv ‘ Way down low on Culottes, with their skirt-like .he forehead or directly center

brilliant Challis. tweed printstgilllgs‘llzmg th . slightly coordinating to actual twecds. The game look win be seen in

A Hash.” i?“de “‘f’nls “lsoft. flowing crepes—thlck and the feminine kind of prints —lri¢h as cream—glosy satins.

age" colors in the limelight. A panorama of royal blues plays up liurple. and mauves and lil- acs appear alone or. in tweeds.

look, appear in dresses. lingerie n back. The newest ones come and sleepwear . . . as we as to satin-edged silk plaids with being a new sportswear fashion! headbands or combs.

This season, culottes go to all of the romantic look is

mingling \vith pinks and greens. is on hand to bring Sm] mme I More Lflke fir“? think 5 a a e pretty 50”“ e 5 5 t" a Variety “‘ it‘llgieiasssgg siihiiizs' cil‘igerzsg lengths—from full length dinner found in the dainty little flow- 86? ‘ ‘5 a: 10“ It "191: 10 fashions, irich brocades’ reminiscent of gowns (all the rage), dress era decorating Wool je r s e y bT'Em anld " ear‘ Pa 5 Fabrics for the tailored look [the Renaissance. Dion St, La“. length town Costumes. in 36!” Gloves- and,” the Old'fasmone‘! a?!" d‘érsignzndflfi: raise? 2:12: are smartly sophisticated. verv ‘rent‘ Guy LaRoche‘ Nina Ricci. muda-length fun outfits! look of braid! used in trim- like the Rt)de Greens‘ brinczlsmooth an suave. Theso Jacques Heim. nvin, h shorter culottes look mifigs. 11 red I k is La+es+ in autumn foliage ° colors Into .range from men s wear type and Simonetta and Fabiani are great over tights and topped f g ‘ weh -manne oo o . .woolens with flattened. out {Gwenchy‘ Greg, pierre Cardim th an overblose Knee sox oun n ’t e beautiful tailoring fad-"on from too. will be right in 3 le of today s school and teas-

View. The palest golds light the della' way to fal‘. with rich. deep golds A ‘ to keep them company. of color.

t I! H . n he greats represent Versatility is the big point of culottes . . . combining the prac- ticality of pants with.the fem- inine look of a skirt. Best of all.

. Izmong coats. Suede is being given the S I The silhouette is slim and tailored treatment as we“ 8 ‘ - g funified. from the top of a new casual Styling in coats. dresses

and vests. Wonderfully warm. it

even the stockings match swea- m m m _ , _ , V . , _. lters in colour and design. Pants

Wigs and wiglets are under~§are no longer strictly ‘pour to studying Fall hair-do stars lsport". Courreges suggests th beautifu]]y_ If your budget per. lpant suit for office wear. Lanvin mits (consider ' an invest..creates a pant suit for travel. ment) examine a Perma—Coif Lanvin joins Castillo. Dior and _a full high-f5hion wig made or Chanel in designing pant skirts quality European hair. This type .for “at home" or the. small in-

colors of all. black w '

The la v ish touch shi n e s through in metallics. glitter and luster of gold . enhanced fabric and in magnificent embroidered and brocaded weaves.

Colors are designed to harmo- nize. appear solo or duet, even in any trios: but above all.

Along with the burst . ll neat head through to a expect to see many important i d b Ema . — . _ rful {latter- will rove its worth over and or tubular body line. Sometimes $032582; {Emit 1" over p” a cozy Mndbreaker‘ . Some of the high styling of the

neutrals. led by the most basic ' About the easiest wearing fab-

ric is wool hopsacking. Hopsack-

new coats is achieved inexpen- ing got its name from the weave and

alver with cotton suede

used in sackings used to gather Vinyl hops in Scotland. '

o

, adds little touches of elegance

in collars and cuffs.

‘ e furriest coat of the sea- . son imitates the fabled courts

2 a.

CHESTERFIELD COAT

un. timate party.

color is the key to complements exciting

and compl’ments for fall wardrobes!

Fabrics for fall have person- In fact. they have two

Billy. personalities.

Match perfume

of wig has a remarkably idertectable hairline. completely natural appearance and realistic color in which hairs of infinitely tiny color-variationsa re. blended to form one over-all color— just as in your own hair.

While the quality of the hand- made wig is of the highest level. 1 excellent quality. value and serC vice can be obtained from the,

l Colours are generally soft and . lvaricd. although in many dressl lcollections at least one modell ;was seen in purple. Brown to? lbeige. emerald green. carnation? :red. nasturtium and pumpkin.

Imay forecast a trend to stronger

Fabiani of Simonetta and Fabiani designed this ches- terfield coat in white arnel matelasse. with black velvet collar and buttons. The coat has a slightly fitted silhou-

colours again.

i ette. This is only one of the

worn short. Just how short de-

models which will be featur- ed across Canada in the Can- adian Celanese Paris Couture collection. The. show may be seen in Charlottetown Sept- ember 23 at the YMCA. It sponsored here by tho Menettes Club.

or the Fal‘ East. It is a budget

fake called "Mongolian lamb."

SUEDE STAR!

In fall handbags. suede makes a big comeback-every- thing from the most ele- gant suedas for evening to

Millinery to suit every mood.

ADELLA’S MILLINERY

Grafton St. Charlottetown

sporty reverse grains for day.

pends on the woman herself and. her husband. But at any age, it's best not to have hair extending too far beneath the ear. unless one has the bone structure of a Suzy Parker. Long hair is beautiful but tend to emphasize chin and jaw. th

to the fabric

A different perfume used in I different way captures the spirit, of the new season. The VIP rvery important perfumel. a favorite of the "in" grou p, takes the form of perfume oil. Match the scent to your fabric.

Using perfumed oils is a so eret as old as Cleopatra, who used perfume sis adelicate snare for the men in her life.

Some perfumed oils adapted by the ancients acted as em lients to the skin and were ised

.. :1 i"

ma-‘Coif. but the hair is sewn to . . 1n wave lot1on tween a wig an a machine back is not as important. ‘ who has stepped confidently bey-. Although most husbands think Choose a lightly curled hairdo Change color. merely shampoo "droop" can be countered by a be both unflattering and aging‘ smoothing hair into shape to

a fine net base rather than being i copy. choose one that has hem? Today's hair styling iechni- and brushed upward to comple-

f color has been a problem ‘ ond tile first bloom of youth. l they want their wives to look the that frames your face. For best :llée old color out and add the l good cut, shaping. and a per- i unless one has had the wit to suit facial contours. Soft upward

2. .

. O machine-made copy. The high guillty of hair and color is‘ I I I I identical to the handmade Per-j crocheted. . 1 If you want to compromise be- 5 hand-made at the front. The l ques are flattering for all ages. ment the neck and soften iaw- gewgfgeihmfi I???” u machine workmanship at the.and especially for the woman lines. ' in the past. avoid harsh bleach-l As a woman matures. hair 1 same as their wedding photo- results. try the set at least use a Chameleon Wig. To"‘relaxes". This tendency to graph. 8 "dated" hairstyle can once. Then work with your brush. manen thave chosen a classic style such lines are most complimentary and insure the greatest confi- ti!

For complete cover. try the

iglpllijdhgilerwhueelfati‘lf" '"1 The saying goes: “Add life to} as Miss Ann Harding or Princ— The charmer: of Wig!“ know as '3 Hal‘l'c‘lif- Your year! With milk” Afldiess Grace. dence among the beau ully of 'hé in?“ h L0 . . “Wm” Also effective for disguising or now there, is a new home per-Il Usually her hair should belgroomed. f . C “1‘ ’9 ed on icomplementing a air—do are manent which employs the hen- per mm ("15' in many cm’ to "19 Wide variety of Wiglets. efits of fresh milk in the waving

change the fate of nations! The”

Choose and use your perfume oil with discretion and selectiv- ity.

can be worn at any posi- tion of the head to accent or create a style and come in many shades and collors.

our first

i 'J ew elled’ 10 ok tops for autumn

manented hair has the attractive texture and appearance which

. t The new "jeweled look" is in elty. but shimmering stones and gif‘mggdty: 31:10:22,1sz :25: ifor fall. providing glittering beads which simulate the gem de

Season for . . .

WOOL

normally appears only after se- veral shampoos. An additional, plus of the new Milk Wave is that ’l r }accents everywhere on the fash- colors oif emeralds. sapphires. ' t ion scent. Fashion jewelry and and rub es as a un- In Choos‘ng . hairsm.‘ “I 'jeweled accessories give extra marine. topaz and amethyst. still

important that the mature wo- man use uplifting lines. when the hair is brushed upward Witt

sparkle to the new fall and win- ter styles. acting as perfect

firm. it's combed into place. the suit is natural and charming. file. Often we study only

be aware of the side-sweep

AT A SALON

be lfic as posible in telling your hairdresser ex actly what kind of style you

want. t Do—tell her WHY you want 8 Ind run

change. Example: Party. ball. job. time-factor. etc.

DON‘T —— expect the stylist to make you appear exactly like the photo you bring. You are an individual . . .and it's best to adapt a flattering hair-do to your own best features.

DO—tell the hairdresser how much time you plan to spend in taking care of your hairdo.

DO—allow enough time this Fall for one lengthy visit which may include a permanent and re«styling.

In trying a new color. know exactly what you're asking for Check over this vocabulary: TINT: to color hair' permanent- ly; to penetrate with color.

BLEACH (or stripl: to re- move pigment from hair prior to adding new color—necssary when going from dark to a light color.

TONE: to add a pastel hair

color to previoual bleached hair. have tone down ‘ '

DEAD: to tone

colors. especially reds or goldl. of s

that may a ax- “ g hie-chin p”

«