THE CHARLOTTETOWN W GUARDIAN _

"ifllE ME s" tvtzigppnvaii TODAY

“' ‘ ‘ V ' H. d.’ Titling‘ Important Factor

{is fraught with many and spaced in a well-baiancedavemge person to mad a title- meuts and anxietiospancl. which at least gave a sense n 15 ohly 1h (1115 way that we who were engaged in the oi solidity and pleasing iorm. But have he“ able to put, a deiinite irturtr industry in the‘even this was not entirely satls-gschedhle hm, pfgcﬂca, n luccrille .was in useniylng, as it served to break the] Two gee; o; ﬁlm is allowed i0!‘ era many dishearteningvsensc oi continuous action in thehhe word, three feet, ior two or uuu setbacks. Each step minds oi the audience. Hence, the three words, tour lest ior (our y hail to be tried. Mis-|birth oi the art title, which waﬂwol-dg, {we (est tor tive or six juiigillellt" and execution. adopted several years ago. ~ Thisiwhrds 51X gee; 1m- seven words and its oi? experimentation, iorm is a panel enclosing the so oh, 1n “ppfcxifniiﬂﬂly this ratio. . corrected and new ideas wording oi the title against a N” Propgr Grouping _ suggestion oi the picture, and There ls a very important and ~ ‘serves to keep fresh in the minds “me known phase ‘oi titling i a Illlifk BB "WWW 99% oi the audience the spirit oi the hhmth as word grouping. From (location and squiilmeilhipicture while they are- reatlingithe hrqsm gtandpplnt it is n cotullicﬂs dlBﬂilVﬂili-BKQB- tlieititiel ltelinliuutes the awlr-i may, temptatton- to group the u- dars when 1w shvlttins ward sense‘ or a break in ilieiﬁ, m, h, a sub-title to iorm a done, on uccountdoi the riililtlleoi the" story. i omen hhhmchq pﬂnel but while s ‘hm rolled m from the ‘ain't; is yimportant the ‘(not must 5mm" so“ bluwwupb, ‘ ‘ ot he werlooked that the oiiect seriously iuteriQreQWithI - Argmh; Effggﬂ] “used _‘ me grouping together work. One tiny grain c‘; cammy words in though; 1h I a section oi iilm an inch _ ‘ ‘ y‘; B! as important For instance; "ould look like a huge Thedrawlngs on theseartllliiﬂll l“ ‘he following “m, “ha; ca", the dress oi an actress, are always subdued audarq used '1 a take“ m mama“ the Drove, as 51mm‘ m‘ m” 5°'°»°n'm°'°]7 "l n background “Wu w“ tin oi the words in order hundreds oi times.‘ which the title is shown. 9"- Eevazgcehgtuate the thought ex. - wash drswingsare used the title ° d l me ‘me a‘ the engage HWY "Niel!" 1° "Wnppesrs to merge into the scens,"?.l'°““° “t, n baiaucln o: m, ore. employs! 111d u!“ giving a very pleasing eiiect with-A“: ‘M. “'11:, 0'“ the w; me “he QIIBDOﬂHUOB “Win19 In‘ out destroying the clarity o! the “ma”; ‘ 1°“ Pfilbiem mi‘ 1,1199’ letteying- The drawings are al-*W°““' iﬂilccﬁﬂllblﬁ- The" "9 ways in low ‘key. thus leaving’ the ‘ _, k! m ew 0! the "1188! "lit eye tree to read the subject mat- Hm‘: dlmf,‘ 5° 5 lays 8:5; to use a sltllzeet my, x d . ° a‘ v “i YEW B m0 97' This department has deve one l0 i115 1118631111617’? which to a very important phase oi the Dyllll W“ "19 “might m" “mud

PAGE THIRTEEN

- Jscktsrst;

Trniiio cops-oi San Francisco had one oi the hardest days on re- cord recently when Jackie Coogan, boy ﬁlm star. started his.natlon wide drive tor a million dollar ship load oi icod ltuils ior the Near East Relic! by a personal appeal to San Francisco's people Vrom the steps oi the Civic centre.

Busy business men halted to got n glimpse oi the youthful star. Armies oi children appeared asgii out oi the air and frenzied mothers ltliﬁ nurse maids. struggled to get their small charges closc to the platform where Jackie stood. 1n almost no time the entire square was filled with humanity. all the s-irle streets were blocked and trai- iic completely tied up.

rte Big - ‘Drives, .

i i l __ “W..-

Assisted by the Ban ranciscd Boy Scouts Jackie spent two hourl receiving donations oi condensed milk and money to buy (pod for, the hungry orphans oi the Near East. A special police guard wal in attendance. ‘ Following the San Francisco campaign Jackie will make s. tour oi the country holding similar drives in all the principal citics<

ending with New York in the lat-_ _

ter part o the summer. Thenj Jackie. accompanied by’ Mr. nnli Mrs. Coogcn, will sail with his food ship to deliver the gifts in tho name oi American children to the [Near East Relief orphanages in iSyria. Greece, Palcstino and Ar- ‘menia. In all len weeks will be lrequircd ior the trip.’

and- putting into the method oi combining the title with the

action oi the picture. Instead oi

breaking the sequence, they are making the action and the title simultaneous on the screen. by throwing the title over the scene that is being enacted.

As i have said, tho art oi the motion picture is a combination oi all the arts. Literature llns been called theliie oi a nation- ii that ls the case, the motion picture pre- sents tin opportunity to create in concentrated iorm titles and sub- titles oi rare literary merit. Ex pressions oi thought that will rank with the classics oi all time which will be an inwiration to all who rend them.

From the iamous works oi the literati oi all ages and. all coun- tries we-have culled the gems o_i expression and thought. ‘ Such men as Shakespeare, Homer. Em- erson and other masters have ex-

’ pressed to us our own thoughts, in language more beautiiul thanierencs to joy or sorrow. iollowl -We ourselves are accustomed to

'1" ' - , _

tom» it, lqaeqlroctlnq Ionic luriionlo in one of her curly‘ 0mm at lnavlilo.

deplorable loss oi'time'indu|try. Every ltu ' o! highly paid artists to do thifcmphnis on the 11o _ work and nothing else. “the art ﬁnd the words been grouped ltﬂl-

Y. development cfthe vari- worILon the panels is oi s ivory tically rather than‘ to convey the

9B oi picture making,

- most people; b t one standard oi the production as a Mhiuk l am ‘iiiilﬂlly, important I the‘ whole.‘ A tine production, includ- going to die." W! "tiss- ' ‘ ' . lug excellent portrayal by m» r Another example from the "we , actors. the inst direction and picture is the tollowiua: mltlvc ‘luh-Ttitior the iinelt photography, would , - "i came to take you .,_ . . he ruined by badly executed art ~ to choir practice. picture we i mm ind cqrolellly drawn iigureirln this we have both the balance "stunt ltllv ‘ icli Anbther very important‘ phase oi design and the proper emphasis woken, 611' Qﬁtitlinl. is the iorm oi letters n-uicd. Aiter siperimcuting with lYVho many typos _ letters decided h "l cameto take " , ‘MUM-upon a‘ spools 1 design )0! ma. h you to choir practice {motions light, round and decorative lbt- would be entirely unsatisfying. u - ' -

nonfat-J." ow productions.’ which h ' r- ,_ sully no uni given uniq- ' New ideals u Oomo liy tlczomct amino sometime " - ' 1 » ~‘ ‘ -' - - . Th! use oi m titles h“ become .umngi "in; nun ancestry-sac '_ uullilvlo tilts than llll N!!! will!" all: new oi titles; but. il-thq mot

III?

i‘ no »

dio his a mitt m OVBl‘ to the Audience,‘ with the ' rd: to die."

no that ilopt to be over.- high order and must‘ be up to the thought, the title would have read: ..

on the thought expressodt To

‘use. l think there is justlticaticn

tor the prediction that screen ti- tles will (levelopto such a point oi perfection that theywill rank with the masterpieces oi history. ' (’l‘_o be continued)

Storms

As the sen in its sublime un- iformity ever brings maniiold imag- es beiore the soul, and calls up n variety oi’ thoughts, it became quite evident to me, irom violent con- tinuous storms, what . ﬂattering geutlenus the sea has in its Siest- est terrors. The sea, which swall- ows up what it seizes, advances wiilrplayiuiness and cover; the deep abyss with white loam. The sea has been called deceitiul‘ and treacherous, hut thereiies in the

trait only the character oi a great natural power which, to speak

‘according to our own ieeiings, re-

news its strength, and. without re-

eternal laws which are imposed by a higher Power.

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